For those unaware, this concert recording from Munich’s Schwere Reiter performance space features improvisation with an expanded palette of possibilities.

“To work with these colours is a great challenge and joy!” says bassist Barry Guy of the glowing and ever-changing tints, timbres and tones radiating from Jordina Millà’s freely associative piano.

Like Guy, Millà is both a player of prodigious technical capacity and a fearless improvisational explorer, and her highly creative use of the piano interior opens up new sonic territory, to fascinating result.

1. Part I
2. Part II
3. Part III
4. Part IV
5. Part V
6. Part VI

Recorded in February 2022 at Schwere Reiter, München, this masterfully impassioned new recording opens on the sumptuously all-encompassing 22 minute opener and a dutifully embodied Part II, before bringing us a rather concise four minute Part III, the free form originals continuing with a wide dynamic range of tonality within Part IV, the set culminating on a veritably plucked Part V and the jauntily scratchy Part VI.

www.jordinamilla.com