Title - 'Modern Sounds in Country and Western Music, 1+2'
Artist - Ray Charles
Originally released on ABC-Paramount in 1962, 'Modern Sounds in Country and Western', was a revelation, both for fans of country music and for fans of Ray Charles. The former had never heard their favorites orchestrated with the depth of soul brought to the table by Ray Charles, and fans of the genius singer had never before heard him indulging his love of country songwriting so deeply.
The second volume, issued the same year, follows the same template, with Nashville standards rearranged and conducted by Gerald Wilson and Marty Paich, and recording split between New York and Hollywood.
The album spun off four hit singles, including a chart-topping remake of Don Gibson's "I Can't Stop Loving You" and a heartbreaking cover of Cindy Walker's "You Don't Know Me" that fell just one rung shy of the top. Marty Paich's strings brilliantly underline and shadow Charles' vocals, adding atmosphere without ever intruding or overwhelming the singer or the song.
Track after track, Charles, his arrangers and his band find wholly new ways through these songs, turning "Half as Much" into mid-tempo jazz, layering string flourishes into "Born to Lose," laying the blues on "It Makes No Difference Now" and punching up "Bye Bye Love" and "Hey Good Lookin'" with big band sizzle.
Volume two may not have been as much of a surprise, but neither was it a second helping. Gerald Wilson's soul vision of "You Are My Sunshine," expertly rendered by Charles and a swinging horn section, leaves few traces of the song's mid-20th century origin. Charles, spurred by backing vocals from the Raeletts, sounds like he's reeling off a personal tale of devotion rather than singing someone else's lyric. The Raeletts provide an edge to side one's New York sessions, with the Jack Halloran Singers sitting in on side two's Hollywood takes.
Both album sides yielded hit singles, including a pained reading of "Take These Chains From My Heart," and a slow, mournful take on "You're Cheating Heart." As with the first volume, Charles finds a directness in country songwriting that matches the expression he developed with the blues.
Concord's reissue includes the two volumes' original twenty-four tracks, full-panel cover art (front and back!), original liner notes for each, and new liners by Bill Dahl. Volume one previously appeared as a standalone CD in the 1980s, but the complete volume two only appeared on the (out-of-print) box set The Complete Country & Western Recordings 1959-1986. [HB]
Audio Stream - “You Don’t Know Me”